Self-Portraits
Self-Portraits
This series of self-portraits questions the stability of the face as a site of identity. Through a repetitive protocol, in which the same framing is subjected to variations in material, color, and pictorial density, the face is no longer simply represented, but gradually altered, filtered, and dissolved.
The drips are not the result of an expressive gesture, but of an active process, in which gravity, time, and the fluidity of paint contribute to the transformation of the image.
Each variation produces a different configuration of the face, revealing an unstable identity shaped by the conditions that pass through it.